It only takes the first minute of “Currency”, the opening track of the fifth Black Angels album, for the now-familiar Black Angels sound to rear its head. Various permutations of the song’s pounding mid-tempo groove and tom-heavy drums have been part of pretty much every Black Angels release going back to their 2005 debut EP. While that formula has created a strong “brand identity” for the band (Death Song is their third straight album to debut in the Billboard Top 100, assuming that still means something in 2017), it’s somewhat frustrating that they aren’t progressing from release to release, or delivering any surprises. As much as I like Death Song (the album – not the cheap Velvet Underground pun of the title) I’m at the point where I want The Black Angels to give me something more to consider than the same ol’ Velvets/Stooges/Spacemen 3/BJM/13th Floor Elevators-inspired sound I’ve come to know all too well from them. “I’d Kill For Her” and “Comanche Moon” put the formula to good use, with an inspired mix of Nuggets’y garage-pop song structures and narco-psychedelic noise-mongering. “Grab As Much (as You Can)” is great too, as long as you don’t pay too close attention to the lyrics (never the band’s strength) and are OK with them stealing the guitar riff from Johnny Kidd and The Pirates’ “Shakin’ All Over”. “Estimate” and “Half Believing” are weaker, with the band attempting a po-faced seriousness they don’t pull off convincingly. “Medicine” sounds a lot like Clinic, another VU-inspired band that spent part of the 2000s stubbornly putting out songs that sounded like minor variations of other songs they’d already released, before shaking things up with Bubblegum in 2010. Were Death Song the first Black Angels album I’d probably be a lot more excited by it, but, to quote a Black Flag song title, “I’ve Heard It Before”.