Them – Complete Them (1964-1967) (Legacy)

When Them debuted in 1964 with “Don’t Start Crying Now” b/w “One Two Brown Eyes”, the Belfast band were immediately on the cutting edge of the UK Invasion. The songs were steeped in the blues and R&B, but they were rhythmically driving and dangerous sounding too. Them were not polite young boys looking to hold hands and drink milkshakes. They were, as the punning title of their first album would tell you, Angry Young Them. Over the next three years they released two full-length albums and a handful of singles that were vital to the foundation of what’s now called garage rock. Plus they did the original version of “Gloria”, a rock standard that’s been covered by everyone from The Doors, to Hendrix, to Patti Smith. Because band members came and went with alarming frequency, singer Van Morrison is the central character in the story of Them, as he’s the only one heard on every song on this three-disc set. Even though he’s held in high public regard for his solo career, he was at his unhinged best in Them, with his electrifying vocals dominating blues standards like “Baby Please Don’t Go”, or “Bright Lights, Big City” as easily as covers of contemporary folk rock “It’s All Over Now (Baby Blue)” (which Beck sampled 30 years later on “Jack-ass”) and “Richard Cory”, or his own self-penned material (“All For Myself” is as convincing a blues song as white people produced in the 1960s).

If you purchased the 1997 double-disc The Story Of Them, I hate to break it to you, but you need to upgrade to this new collection. First of all, the remastering is fantastic, and Van Morrison’s liner notes are informative. More importantly, it includes the original versions of several songs which were presented in badly rechanneled stereo mixes on The Story Of Them, with additional percussion which wasn’t part of the original recordings. Why Deram used these mixes (which date from compilations on Parrot Records in the 1970s) is a mystery, but it doesn’t matter anymore, because now you can hear these songs as they were originally meant to be heard. Even better is this collection’s third disc, which includes previously unreleased demos and alternate takes, one song (“Mighty Like A Rose”) left off the previous compilation for space, and a half-dozen songs recorded live for the BBC. Many of these previously unheard versions are similar to the originals, but there is a noticeably tougher take of “Go On Home Baby” and an alternate take of “Turn On Your Love Light” with an absolutely deranged rave-up arrangement that doubles the length of the original. Again, I’m sorry but you just gotta buy this.