It’s been over two decades since Mick Harvey released his first set of English language covers from Serge Gainsbourg’s catalogue, Intoxicated Men. Intoxicated Women is the fourth and final volume of these covers, and it wraps things up in a neat little bow while also throwing a few distinct curveballs at the core concept behind these albums. The biggest curveball is the focus on Serge’s collaborations with female singers, with 11 of the 15 songs tackled, versions of tracks Gainsbourg originally recorded with Bridget Bardot, Jane Birkin, Juliette Greco and others. The other big surprise is that a few songs aren’t in English, which seems odd since one of the joys of these albums has been hearing the songs in English for the first time, giving non-French speakers a chance to appreciate the gallows humor and incisive wit in Gainsbourg’s lyrics. The press release even refers to Intoxicated Women as an album of “Serge Gainsbourg translations”…not “covers”. But, before you start taking to the streets with torches and pitchforks in protest, I’ll remind you that you can always get the English translations online, so it isn’t that big a deal; and besides, the German cover of “Je T’Aime…Moi Non Plus” with Andrea Schroeder and the Cambodian cover of “Contact” with Channthy Kak of The Cambodian Space Project are actually some of the better songs here. Left to his own, Harvey’s vocals are, as usual, a perfect surrogate for Gainsbourg’s. His tuneful half-spoken whisper perfectly captures the melancholy of “Lost Loves”, the breezy innocence of “All Day Suckers” and the bizarre storytelling of the album-closing “Cargo Cult”, where Harvey and band handle the funky orchestrations of the original all too well. If this really is the final volume of Harvey’s Gainsbourg translations, I’ll miss the series, but at least Intoxicated Women ends it on a high note.